Future → Built Creatively
“Woven Dots” is a project by Pushpalata Patil, a Diploma in Fashion Design student at JD Institute of Fashion Technology, Bengaluru. Inspired by the traditional Tangaliya weaving craft of Gujarat, the collection presents a contemporary, artisanal prêt-à-porter interpretation that celebrates heritage through innovative surface-design techniques.
Tangaliya weaving, practised by the Vankar community, is renowned for its distinctive daana (dot) texture, created by twisting extra weft yarns into the fabric. Rather than recreating the original woven textile, the collection reimagines its visual language through handcrafted techniques such as hand-running-stitch embroidery and fabric painting. These methods capture the rhythmic patterns, tactile quality, and characteristic dotted textures of Tangaliya while introducing a fresh and modern design perspective.Drawing inspiration from both the craft and the organic beauty of nature, the collection incorporates floral motifs, leaves, abstract dotted compositions, and textured surface details. Running stitches mimic the movement and structure of the traditional weave, while painted elements reinterpret its visual identity through a contemporary artistic lens. Clean and structured silhouettes serve as a canvas for these handcrafted details, allowing the surface embellishments to become the focal point of each garment.
Designed for modern women who appreciate craftsmanship, sustainability, and timeless style, the collection embraces the principles of slow fashion. The garments are versatile, elegant, and suitable for a variety of occasions, balancing functionality with artisanal sophistication.The collection aligns with the theme by preserving the essence of Tangaliya weaving while transforming it into a contemporary fashion language. Instead of direct replication, it explores reinterpretation through embroidery and painting, demonstrating how traditional craft can evolve while maintaining its cultural significance.Created using black Bombay cotton, along with white and red cotton sateen fabrics, the collection features a refined palette that highlights the handcrafted surface work. The contrast of dark and light tones enhances the intricate detailing while maintaining a minimal yet striking aesthetic.Through “Woven Dots,” the designer successfully bridges traditional Indian textile heritage and modern fashion, proving that cultural crafts can be thoughtfully adapted into contemporary garments that are relevant, expressive, and enduring.